SLACK promo, Travis H Heinrich, Gertrude Street Projection Festival 2013 from Travis H Heinrich on Vimeo.

"Slack" performance artwork curated by Arie Rain Glorie and T.R. Carter, for Gertrude Street Projection Festival 2013

Promo video by Travis H Heinrich

Sequence 1-YouTube sharing from Travis H Heinrich on Vimeo.

▓▒▒▓͙͇ ͇͇͙͂ͥ͂͠ from Travis H Heinrich on Vimeo.

͇ͥͥͥ͂ ͙͇͂▓▒▒▓͙͇ ͇͇͙͂ͥ͂͠▓͇͙͂░ͥ͠▓͇͇͇ͥ͂͂͠　͠░͙ͥͥ͂▓͂͠ ░͙͇͂ͥ ͙ͥ͂ͥ ͇͇͙͙͇͇͂ͥ　͙͇͇▓͇͙͠͠▓͂ ͥ▒　▒ ͇͇͇͙͙͇ͥ͂ ͇͇͠▓ͥ░ ͇▓͠ ͇͇͙͙͇͇͇͇͙͂͂ͥ͂͠͠▓░͙͇　▒͂͠░͇͙͂͂ͥ͠ ░ ▒͙ͥͥ͠░▒ ͙͂▒͇͇͂͠͠ ͥ͠ ͇͇ ▒ ░͇͇ͥͥ͂ͥ͂͠ ͇ͥ░͙͇͇ͥ ͂▓͠ ͇͂▒͇͂ ░͇͇͇͇ ͂▓ ͇͙͇ͥ░ ͇͇͙͂ͥ 　▓͇͇ͥ͠͠　͙ͥ͂ͥͥ͠▒͙͙͠ ͇͇͇ ▒͇͂░͇͇͇͇ͥ͠▒͙　░͇͂░͙ͥ░͙͇͂░　͇　͠ ͙ͥ͠ ͥ░ͥ▒͇͇ ͇͇͇͙͇͂▓͇͂͂͠▒▓͇ ͇͙͇͇͙ͥͥ͠͠͠͠͠▒ ͇ ͇͇ͥ͠▓͇͙͂͠░ ͇ͥ▒͇͂ͥ▓͠▓͇░͇͙͇ͥ͠▒͂͂͠ ͙͂ ͇ ͥ ͥ▒ ▒͇͇͇͙ͥͥͥ͠░ͥ͠ ͠ ▒▓ͥͥͥ͠͠ ͇͇͇ͥ͂͂ ͇͙͇ͥͥͥͥ͂͠ ▒͇▒͙͇͂ ͙ͥ ▓▒͙͠　͂▒ ▒͂͂▓░͇͇▓͇▓　͠▒ͥ͠ ͇͇͇͙͇͇͂ͥ͂͠░░͠ ▓ ͇͠ ͇͙͇ ░͇͇▒͠͠▒͇͇͇͇͙͇͇͙͙ͥͥ͂͂░͙͇͇ͥ͂ ͙͂͂͠░͂͂ ͥ͂　 ͂▓͇͇▒ ͇

rough draft

Brainbow modification.
Hmm, very nice (after the ‘still’ disappears that is).

I left this to render over night - yet  it only produced 30 odd seconds by morning time. I think the program I’m using to do this with is slightly buggy. I’ll have another crack at getting a full how-ever-many-mintues version of this done soon.

Documentation of a work I made as a student, in 2nd year. Just made a quick video edit. Info can be found on the vimeo page

Border-less colour tests on the ground for, potentially, a physical installation. A quick experiment (mainly for me to have seen in person; this is only documentation), and one I will try again soon on a much larger scale.

Will write about this later.

'Palimpsest' is a hand-drawn animation in which I traced an image, then traced that image, then traced that image, then traced that image… and so on. Roughly 300 images in total.

I traced each image as meticulously as I could; the distortion that occurs is not intentional nor shepherded in anyway.

Yet another video test; done for the hell of it. Was initially made for a video clip, and is (obviously) a very initial test into this experiment. First and foremost, it’s crazy over-exposed. Secondly, the image needs to be much smaller, with the hole being almost pinhole-like. I’ll do another of these shortly and paste it up

A new video edit of my old work ‘smoker’

Sea of light - installation

Kinetic painting, no.3 (my fav of the lot)

(very initial) visual test for a video clip.

A recent visual test, detailing lights and urban movement on my street in Melbourne. I’m not sure what it’ll become (if anything) at this point in time. It could be edited, stretched and toyed with in a million different ways – so I’ll just bury it for the time being.
Uhh, so the music on the video is ‘Keyboard Study 2’ by Terry Riley. I only added it to give the work a vague sense of body for now. The sound as it is now is in no way permanent.

Kinetic painting no. 2 (same info as one below)

This work is a commentary on the medium of video art, and how it’s cinematic idiosyncrasies are exposed when contextualized through the medium of painting. That said: this work is better considered as a painting with kinetic properties, than as video art.

While I want this to be seen as an object, the temporal qualities of video prevented this and so it is seen for its linear expectations rather than its objecthood. These expectations make the work dismissible to me through its predictability, as the chemical reaction communicates immediately that its movement follows a constant set of rules.